The Sun Ain't Shining No More by The Asteroids Galaxy Tour
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James Bond in
The Sun Ain't Shining No More by Genevieve Piko The sun used to be worshipped for its light and power, but with the rise of electricity, it has been forgotten. The beautiful and deadly Solar Flare remains loyal, however, and soon she will make James Bond and England rue the day they ever forgot that burning star. What exactly has this femme fatale planned? Lasers? Eternal winter? Blackmail involving photosynthesis? In a whirlwind of gadget-filled espionage 007 must find out; otherwise, the sun ain’t shining no more. |
Sledgehammer - by Peter Gabriel
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The Bond Song That Never Was - a contemporary expose on innuendo, martini's and charismatic espionage.
By The Chaotic Order This latest James Bond venture - call him what you will: Bond, 007, Her Majesty’s favorite bad boy - is more absurd, charismatic, louder, bolder and a whole lot darker. Now played by an attractive bit of Macedonian rough named Jonny Radevski - this current spin arrives on the screen in a head rotating, face exploding medly of cool toys, smooth rides and women with wit drier than a martini. Shooting, high flying, flirting and taking down the bad and the beautiful - you'll be blown away as Bond and his team of Bold Girls sledgehammer their way through the world of contemporary espionage. |
Diamond Dancer by Bill Callahan
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James Bond in
Diamond Dancer by Alister Karl British intelligence has unearthed a plan to sabotage the Apollo 11 mission. Bond has been sent to Huston to make sure that the launch runs smoothly. Teaming up with CIA agent Felix Leiter, Bond finds himself flung into a brutal and confusing game of cat and mouse. What is the Great Star of Africa, who is the woman in blue and what has it all got to do with the moon. Even Bond can't imagine the extent of the plan that has been set in motion. |
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James Bond in
Cat People (Putting Out Fire) by Max Piantoni Released in 1993 in between License to Kill and Goldeneye - Putting out Fire sees the return of George Lazenby to the role of 007. Following the events of License To Kill a damaged James Bond recedes into his London apartment. Having mail ordered a Personal Computer, Bond is increasingly captivated by the newly developed World Wide Web. Meanwhile, with James Bond out of action, S.P.E.C.T.R.E are rising again, secretly abusing the power of the World Wide Web to destabilize world government via 'hacking'. Bond is forced to return to action and track down operatives of S.P.E.C.T.R.E's mysterious Computer Action Team - the Cat People - as he does so he unravels an international conspiracy and a plot far more explosive than any he has faced before. Russian nukes wired directly to the grid. Click click BOOM. |
Cat People (Putting Out Fire) by David Bowie
Can't be Tamed by Miley Cyrus
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James Bond in
Can't Be Tamed by Monique Barnett Miley Cyrus voted hottest woman of the year by Maxim Magazine! The twenty year old said “It’s every woman's fantasy” to top the hot 100 list. So, it’s official, Miley Cyrus is the hottest woman of 2013. On account of that, my choice of Bond song is Can’t be tamed by Miley Cyrus, because every Bond film has a “Bond girl,” a ubiquitous symbol of glamour and sex, and she’s it Baby! Taking from this I used my creative process I constructed a diorama using cut-out imagery from gossip and fashion magazines. The cut-out figures have become unwillingly involved as spectators of another James Bond lusty and brutal chase. Where Bond’s desire for the beautiful and innocent Miley Cyrus are crushed by his discovery that she is the villainess. Her pliant and undemanding beauty can’t be obtained by anyone, not even Bond himself. “She must be tamed!” mutters Bond or else killed off where social order can be restored. |
Looking down the Barrel of a Gun by The Beastie Boys
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James Bond in
Looking down the Barrel of a Gun by Ive Sorocuk Looking Down the Barrel of a Gun features a sideburned James Bond in flared trousers and enormous collars in a large metal car. Spies have teamed up with pushers on the streets of 1970's New York all set to a chunky bass line. Sex and Drugs and Orange and Purple chopped up and sampled (not stirred) cut with a massive pair of boots made for kicking doors down. |
If I Survive by Hybrid
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James Bond in
If I Survive by The Dark Carnival Dolls and Jenna Corcoran Not even James Bond can escape from his past. Haunted by historical wrong doings, Bond’s latest foe is larger than any Soviet enemy, any corrupt corporation; it is his own reputation. Re-imagining the Bond genre from a feminist viewpoint, If I Survive is a seductive re-presentation of the stereotypical sexist Bond oeuvre for the contemporary discerning viewer. |
Jump by Van Halen
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James Bond in
Jump by Jamie Rawls 'You might as well JUMP.' Two leading men like you've never seen them before. Sippin' and Sniffin'. David and James are shaken AND stirred |